Jury Panel Archives

Kelly Boal trained at the School of American Ballet and joined New York City Ballet in 1984, earning a promotion to soloist in 1989.


She left NYCB in 1993 to pursue guesting opportunities that included performances with Dutch National Ballet and Ballet Manila and participation in Le Gala des Étoiles in Montreal, Canada.


She taught at the School of American Ballet and is a part-time faculty member at Pacific Northwest Ballet School, teaching both the Professional Division and the Company.


Pacific Northwest Ballet


Kirov Academy of Ballet

Kirov Academy of Ballet scholarship graduate Adrienne Canterna is the recipient of numerous national and
international awards including winning the GOLD medal at the 1998 USA International Ballet Competition at 15 years old. Adrienne tours the United States, Europe, Asia, Australia, Canada and more as a dancer, choreographer, model & juror.


As a Principal guest ballerina she danced the roles of Gamzatti in "La Bayadere", the Sugar Plum Fairy in "The Nutcracker", and Kitri in "Don Quixote". She has also danced with the Washington Ballet and Complexions Contemporary Ballet in NYC where she was partnered by Desmond Richardson.

She has appeared in numerous galas worldwide including the "Vail International Dance Festival", "Dance Open Ballet Festival" in Russia, "Gala de Danza", "Dancers Against Cancer" in NYC and "Les Gala des Etoiles" where she performed "Le Corsaire" pas de duex with international ballet star, Carlos Acosta. She appeared as a soloist in the PBS TV tribute to Placido Domingo, in a segment directed and choreographed by Debbie Allen. She can be seen as a ballet soloist in the motion picture "Step Up".

Adrienne is the choreographer & co-creator of the international hit dance show "ROCK the Ballet". After touring over 30 countries since 2008, RTB continues to wow audiences across the globe. Adrienne was a special guest performer & choreographer for BAD BOYS of DANCE on FOX TV's "So You Think You Can Dance". In 2014, Adrienne founded BAD BOYS of BALLET & they became Semi-Finalists on Season 9 of the hit TV show "America's Got Talent". Adrienne is the proud mother of daughter Anami Halo, Founder of SweetBirdProductions, and faculty of Kirov Academy of Ballet.


Ellison Ballet
Artistic Director

Edward Ellison has traveled the world as a dancer, teacher, choreographer and ballet master. Companies he has taught for include American Ballet Theatre, Houston Ballet, Alvin Ailey and the Metropolitan Opera Ballet. He has been a guest teacher with The Juilliard School and Joffrey Ballet School, and continues to teach open classes at STEPS on Broadway.


As a ballet master, he has worked for such companies as the Boston Ballet, Norwegian National Ballet and Alberta Ballet, as well as staging Helgi Tomasson's Nutcracker for San Francisco Ballet's annual tour. With love and devotion to his students guiding his work, his approach is infused by study and close association with renown ballet masters and directors, such as Larisa Sklyanskaya, Helgi Tomasson, Irina Jacobson and Marius Zirra. He particularly credits his years of pedagogical study with Ms. Sklyanskaya for the depth of his artistic knowledge, as well as teacher courses at the Vaganova Ballet Academy in Russia and the National Ballet School in Canada.


A former soloist with the San Francisco Ballet and guest artist with many companies in the U.S. and abroad, Mr. Ellison's repertoire spans the great classical works of the 19th century to neoclassical and contemporary choreography of the 20th century and today.


Mr. Ellison employs a combination of detailed technical insight — including precise verbal and physical guidance to ensure proper alignment, placement, strength and coordinaton of the body — and artistic vision to excite and advance the student's journey. As Founder & Artistic Director of Ellison Ballet, Mr. Ellison has crafted an intensive study program to meet the needs of gifted ballet students from around the world who wish to dance professionally. Both the Summer Intensive and the in-depth Professional Training Program offer a stepping stone approach to realize new levels of achievement. The classes emphasize development of strong classical ballet technique, the exploration and discovery of the student's full artistic potential, and individual attention from the ballet master.


Pittsburgh Ballet Theatre
School Director

Ms. Grundvig began her ballet training in her hometown of Davis, California, and with Marguerite Phares in 

Sacramento, California. Additionally, she spent summers on scholarship with San Francisco Ballet School.  


At the age of 17, Ms. Grundvig joined the North Carolina Dance Theatre. She continued her performing career as a soloist with both the Tulsa Ballet and the Boston Ballet.  


She has guest taught at many schools, both nationally and internationally, in addition to touring nationally to audition students for the annual summer programs of Boston Ballet and PBT.


Ms. Grundvig directed the ballet department of the Washington Academy of Performing Arts in Seattle prior to being appointed Director of the Pittsburgh Ballet Theatre School in August 2005. Since 

starting at PBT, Ms. Grundvig has been part of a leadership team that has managed to increase total school 

enrollment by more than 30%.


Sarasota Ballet
Director of Education

Christopher Hird is from England and studied the Royal Academy of Dance syllabi before training at The Royal Ballet School. He toured Europe as part of a company headlined by the internationally acclaimed ballerina, Sylvie Guillem. After retiring from the stage, Hird worked as the Assistant to the Director of the British Ballet Organization, and later as Assistant to the Development Manager at The Royal Ballet School. He earned a Bachelor of Arts in Dance from the University of Roehampton and a Diploma from Canada’s National Ballet School’s Teacher Training Program.


Hird joined Boston Ballet School in 2003 and was promoted to Artistic Manager in 2009. He was a main teacher for students in the Pre-Professional and Classical Ballet Programs as well as being part of the Senior Leadership Team. Hird has staged ballets for the School including Swan Lake, The Sleeping Beauty, La Bayadère, and Sir Frederick Ashton’s Les Patineurs, Les Rendezvous and La Fille mal Gardée. Hird was also a Children’s Ballet Master for Boston Ballet’s The Nutcracker.


In 2013, Hird was appointed Head of Adult Programming. He has led the artistic vision for the redesign of the program as well as been instrumental in developing and enhancing the adult students’ engagement with Boston Ballet.


Hird has served on the international jury of the Japan Grand Prix in 2008 and 2010, the Surrey Festival of Dance (Canada) in 2007 and 2008, the Goiania Dance Festival (Brazil) in 2012 and 2015. He has been a guest teacher for Alvin Ailey American Dance Theater, Canada’s National Ballet School, Cecchetti Council of America and Harvard University.


The Sarasota Ballet appointed Christopher Hird as Director of Education and Principal for the Margaret Barbieri Conservatory in July 2016. 


The Washington Ballet
Head Faculty / Company Teacher

Rinat Imaev, Company Teacher and Senior Faculty, was previously a company teacher with ABT for 15 years. He has made an international career performing and teaching across the globe in the U.S., Asia and Europe.


Born in Oufa, Russia, Imaev studied at the Vaganova Ballet Academy in St. Petersburg & later danced with the Mariinsky Ballet. He was a principal dancer with Sofia National Ballet in Bulgaria and Royal Ballet of Flanders in Belgium. Imaev has also performed for several international companies as a guest artist.


His repertoire includes leading roles in Don Quixote, Swan Lake, The Nutcracker, La Sylphide, Les Sylphides, Coppélia, La Fille mal gardée, Giselle, The Sleeping Beauty, Corsaire, Paquita, Cinderella, Romeo and Juliet and La Bayadère among other works.


Imaev has been a guest teacher at Boston Ballet, The Washington Ballet, Oklahoma Ballet, The Royal Ballet of Flanders, The Bruxelles, Sofia Opera and Ballet, Victor Ullate Ballet/-Communidad de Madrid, Gelsey Kirkland Academy of Classical Ballet, The Ballet Internationale in Indianapolis, The Carreño Sarasota Festival, Salt Creek Ballet, Kaatsban International Dance Center, The Rock School for Dance Education, Joffrey Ballet School, Debby Allen Academy, Southland Ballet Academy, Dmitri Kulev Classical Ballet Academy, Dance Academy, The State School of Antwerp, AlixRiga Dance Centre, Le Ballet de Bruxelles, Nafsika Dance Company, Jeune Ballet de France, Ochi International Ballet, Hakucho Ballet, Rei Ichianagi Academy, among more.


Imaev is the distinguished recipient of the Gold medal at the International Ballet Competition Varna; Grand Prix of the Bulgarian National Ballet competition; Golden Lire of the Ministry of Culture of Bulgaria and Special Partner Prize at the Madame Oya International Ballet Competition in Japan. He has also been a jury member of YAGP since its founding and a jury member at international ballet competitions in Nagoya, Japan. He is the artistic advisor of IBstage in Barcelona, Spain.


The Harid Conservatory

Alexey Kulpin is a graduate of the University of Culture and Art in St. Petersburg, Russia. He holds both bachelor’s and master’s degrees in ballet methodology and choreography. In 1998, he was the Grand Prix winner at the Muse of St. Petersburg Ballet Competition.

As a professional dancer, Mr. Kulpin has performed soloist and principal roles in both classical and contemporary ballets in Russia, Israel, and the United States. He danced professionally with St. Petersburg State Opera Ballet, St. Petersburg State Male Theatre by Mihailovsky, Ballet Israel, City Ballet of San Diego, Grand Rapids Ballet, Charleston Ballet Theater, Stars of St. Petersburg Municipal Theater of Music and Dance, and Krasnoyarsk Dance Ensemble. His roles included Basilio in Don Quixote; James in La Sylphide; Prince Ivan in Firebird; Spirit of the Rose in Le Spectre de la Rose; Swan Lake Pas de Trois; and the male leads in Tarentella and Maurice Bejart’s Trik Trak.

Mr. Kulpin specializes in teaching classical ballet, male and female variations, and character dance. His teaching career includes the Ballet Israel School, City Ballet of San Diego, Grand Rapids Ballet, and Charleston Ballet Company, where he taught company classes and served as director of the Charleston Ballet Young Artists Group. Most recently, he served as principal ballet teacher for Northern California Dance Conservatory. He has staged classical variations and choreographed solos for performance and ballet competitions. Mr. Kulpin joined The HARID Conservatory’s faculty in August, 2016.


San Francisco Ballet
Trainee Program Assistant

Born in Paris, Pascal Molat trained at Paris Opera Ballet School and danced with Royal Ballet of Flanders and Les Ballets de Monte-Carlo before joining SF Ballet as a soloist in 2002. He was promoted to principal dancer the following year.

Molat’s repertory includes principal and featured roles in Don Quixote, Sylvia, Romeo & Juliet, Onegin, Giselle, and The Little Mermaid, among others. He created principal roles in Elo’s Double Evil; McGregor’s Borderlands; Morris’ Beaux and Joyride; Possokhov’s RAkU, Firebird, Reflections, Study in Motion, and Swimmer; Tomasson’s Concerto Grosso, Blue Rose, and 7 for Eight; Wheeldon’s Number Nine and Rush; Ratmansky’s From Foreign Lands; Taylor’s Spring Round; and Zanella’s Underskin. Molat has also danced in works choreographed by Ashton, Balanchine, Béjart, Bintley, Fokine, Forsythe, Kylián, MacMillan, Maillot, Robbins, Tudor, and Van Manen.

Molat danced the role of Mercutio in the 2015 film of Tomasson’s Romeo & Juliet for Lincoln Center at the Movies: Great American Dance. After retiring from the Company in 2016, he joined the SF Ballet School Faculty.


Houston Ballet II
Director & Ballet Master

During his career as a dancer, Mr. Munoz filled Principal roles in Peru, Uruguay, Argentina, and New York, with a variety of choreographers including John Cranko, George Balanchine, Ivan Nagy, V. Bebrada, A. Rodriguez, W. Dollar, L.de Layres, Ben Stevenson, and Ronald Hynd, (in whose work, Rosalinda, he partnered the esteemed Russian ballerina Natalia Makarova). Mr. Munoz was also involved in other forums for dance, such as Zarzuela, television, musical comedy, and opera.


In 1989 he founded the Chamber Ballet of Santiago. Mr. Munoz has taught classes and seminars in Paraguay, Bolivia, Peru, and the United States. He has worked as an instructor for the Ballet Nacional de Chile, Ballet de Santiago, Ballet Nacional de Peru, and schools in Asucion, Peru.


The dancers Mr. Munoz has coached have won the silver medal at the International Ballet Competition in Jackson (1990) and third place in the Shanghai International Ballet Competition (1995). In 1996, Mr. Munoz was awarded “Best Teacher” at the Interdance Competition in Asuncion, Paraguay. He has coached students for the Prix de Lausanne who have won six medals in the past seven years.


Mr. Munoz joined Houston Ballet Academy as Ballet Master in 1999. As HBII Ballet Master, Mr. Munoz is responsible for the artistic leadership, teaching, choreography, curriculum syllabus development, and supervision of all HBII students to promote the studio performance of Houston Ballet. He has staged a ballet for Ben Stevenson at Florida Ballet, and also staged Stanton Welch’s work at Cincinnati Ballet and Tulsa Ballet. In addition, Mr. Munoz coaches students for the Prix de Lausanne (winning six prizes in the last seven years) and Beijing International Ballet Competition. Currently he serves on the jury and a teacher in the Junior Ballet Competition Japan Grand Prix, and in the Youth American Grand Prix (Mexico, Japan, Brazil, Europe, and New York). As a teacher, he has taught around the world from Canada, Argentina, Australia, Europe, all over Latin America and the United States.


Boston Ballet II
Associate Director

Peter Stark is a renowned ballet teacher and coach who has been called “Ballet’s Pied Piper” by the Sarasota Herald Tribune. Stark trained at The School of American Ballet with Stanley Williams, Richard Rapp, Andre Eglevsky, and Fernando Bujones. He also went on to study Business Administration at Strayer University in Washington, DC.


His performing career includes The New York City Ballet, Boston Ballet, and The Washington Ballet. He danced in works by George Balanchine, Marius Petipa, Peter Martins, Twyla Tharp and in the premieres of works by Jerome Robbins, Violette Verdy, Ralph Lemmon and Bujones. He was featured in a PBS telecast of Washington Opera’s La Rondine staring Jose Carras.


Bujones hired Stark as the Assistant to the Artistic Director of Ballet Mississippi, and later as School Director at Orlando Ballet. Stark has taught for The Washington School of Ballet, Ballet West, Central Pennsylvania Youth Ballet Summer Intensive, American University, Maryland Youth Ballet, Orlando Ballet School and Next Generation Ballet. He led The Orlando Ballet School for a decade where he expanded it to four locations and founded Orlando Ballet II. He is the Founding Artistic Director of Next Generation which has grown to have an international reputation, winning many awards and accolades. The New York Times has twice praised Stark, calling his students “breathtaking” and noting that they displayed “a joyous appetite for movement.”


He has received many honors including the Florida Arts Educator of the Year, a feature on the cover of Dance Teacher Magazine, and was honored in Orlando, Florida with “Peter Stark Day.” Stark has judged dance competitions internationally and served on grant panels for the National Endowment for the Arts. He co-presented four annual ballet galas with Youth America Grand Prix, including “Ballet’s Greatest Hits” that was streamed to movie theaters internationally and hosted by So You Think You Can Dance judge Nigel Lythgoe.


Stark staged and choreographed several critically acclaimed full length ballets that have been danced by companies such as Washington Ballet, Orlando Ballet, Next Generation Ballet and Central Pennsylvania Youth Ballet. He also choreographed Merry Widow, La Traviata, Aida, Don Giovanni among others for Opera Tampa.


Stark’s students are now dancing in companies including New York City Ballet, Stuttgart Ballet, Dutch National Ballet, National Ballet of Canada, American Ballet Theatre, and Paul Taylor Dance Company, among others. Students of his have received full merit scholarships at dance academies such as The School of American Ballet, Stuttgart Ballet, and The Royal Ballet School of England. He has coached gold medal winners for International Ballet Competitions around the world. Students of his have won the Grand Prix at the Youth America Grand Prix New York Finals, the Princess Grace Award, Audience Favorite at the Prix de Lausanne, and Best Male Dancer at the Eric Bruhn Competition. Stark was named Outstanding Teacher at the 2014 New York Finals of Youth America Grand Prix and has four times led academies to be awarded Outstanding School.


Academy Director

Born in Madrid, Spain, Maria Torija began her ballet studies with Lola de Avila, Luis Fuentes and Carmen Roche. At the age of thirteen, she was awarded a Fulbright scholarship to study for three years at the School of American Ballet in New York.


After a short stint with the Ballet Nacional de España Clásico, in 1987 she began her 20-year career as a dancer with the Deutsche Oper Berlin ballet company, currently the Staatsballett Berlin. During her time in Berlin, Maria performed in solo and principal roles in numerous classic ballets, including works choreographed by George Balanchine.


She holds a Bachelor’s degree in Ballet Teaching, and graduated summa cum laude with a Master’s and PhD in Performing Arts from the Universidad Rey Juan Carlos, in Madrid. She also has an extensive teaching resume. Beginning with the Opera Ballet of Deutsche Oper Berlin, she has served as a faculty member at the Palucca Hochschule für Tanz, Dresden. Maria has participated in seminars and has been invited to teach classes throughout Europe, Japan and Hong King and the United States. While on the  faculty of the Miami City Ballet and Miami City Ballet School, Maria taught dancing as well as classes on the history of ballet and other associated topics. She organized and conceived a popular program for the Open Barre at the Miami City Ballet, inviting the public to see a demonstration of the progression of professional ballet training. Maria became the Director of the BalletMet Academy in May 2017.


Pennsylvania Ballet II


Eddy Tovar trained at the National Ballet School in Havana. He began his professional career in Brazil at the Bale do Estado de Goias before joining the Orlando Ballet under the direction of Bruce Marks and the late Fernando Bujones.


Eddy rose through the ranks of Orlando Ballet to that of principal dancer, while also serving as the resident guest artist of the Los Angeles Ballet. He retired from the stage after dancing for Texas Ballet Theater as a principal dancer, under the direction of Ben Stevenson.

Eddy has performed principal roles in virtually every full-length classic ballet, including roles in works by George Balanchine and Twyla Tharp. As well, he has won numerous medals in competitions all around the world and appeared as a guest on the TV show “So You Think You Can Dance”. Most recently, Eddy served on the faculty of the Hartt School of Dance Department at the University of Hartford. Throughout his career, he has staged ballets as well as instructed students of all levels.

Eddy is currently the director of Pennsylvania Ballet Second Company.


Boston Ballet
School Director

Margaret Tracey joined the faculty of Boston Ballet School in 2005 and was appointed Director in 2007. In that 

time, she has transformed this highly respected regional academy into one of the leading dance education 

institutions in North America. Since retiring from New York City Ballet in 2002, Tracey has become one of the 

country’s most admired and dedicated teachers and arts education advocates. Profiled in a 2009 issue of Dance 

Teacher Magazine and recognized by the Jerome Robbins Foundation in 2011, she has been instrumental in 

designing a curriculum that emphasizes comprehensive ballet training and overall excellence along with a well-

rounded approach to dance study. Her stature in the dance world has brought BBS extraordinary access to the 

study and performance of choreography by both George Balanchine and Jerome Robbins.

Drawing on her 
teaching experience, studies in psychology, and ties to community clinicians, Tracey instituted a comprehensive Wellness Program at Boston Ballet School. She also established Next Generation, a year-end performance showcasing Pre-Professional Program students, in collaboration with the New England Conservatory, which has become an annual highlight that spotlights the School as a leader in local and regional arts education.

Tracey has 
further distinguished the School by fostering pre-professional exchange programs with the Royal Danish Ballet and the National Ballet School of Canada and building strong cooperative relationships with such local institutions as Lasell College, Endicott College and Northeastern University.

Born in Pueblo, Colorado Tracey began ballet 
studies with her mother, Nancy Tracey, at age six. In 1982, she was accepted as a student at the School of American Ballet, the official school of New York City Ballet (NYCB). At SAB, she was the recipient of an Atlantic Richfield Foundation scholarship (1982-85) as well as a Princess Grace Foundation award (1985-86) that cited her “exceptional promise and dedication to excellence.”


In 1986, Tracey joined the NYCB corps de ballet, launching a celebrated 16-year stage career. A principal dancer from 1991 until her 2002 retirement, she excelled in the Balanchine repertoire, appearing frequently in such core works as Apollo, Ballo della Regina, Concerto Barocco, Coppelia, Serenade, Symphony in C, Vienna Waltzes, Western Symphony, and Who Cares?, among others. She was also featured in a range of Robbins’ ballets, including Afternoon of a Faun, The Four Seasons, and The Goldberg Variations, and created a role in the choreographer’s Ives, Songs (1988).She originated roles in works by Richard Tanner, William Forsythe, Ib Andersen, Trey McIntyre, and NYCB Ballet Master in Chief Peter Martins, including his Les Petits Riens, Fearful Symmetries, Zakouski and his production of The Sleeping Beauty, in which she appeared both as Princess Aurora and Princess Florine.


With NYCB, Tracey toured in Europe and Asia, appeared in the PBS “Live from Lincoln Center” series, and danced the Marzipan Shepherdess in the 1993 film of Balanchine’s The Nutcracker. As a stager, she has set Martins’ Zakouski on the Royal Danish Ballet and Bavarian State Ballet and his Fearful Symmetries on Pennsylvania Ballet. In addition, during her tenure with Boston Ballet, she has staged a number of Balanchine works including Concerto Barocco and Symphony in C for the Company, and Scherzo a la Russe, Scotch Symphony and Raymonda Variations, as well as Robbins' Fanfare, for the School’s annual Next Generation performance.



Atlanta Ballet
Dean of Education

Dean Story is currently in her 21st season with Atlanta Ballet. She joined Atlanta Ballet after a professional dance career that spanned more than 20 years, including tenures with Joffrey Ballet, the School of American Ballet, New York City Ballet, Atlanta Ballet, and ten years with Boston Ballet.


In 1996, in addition to her role as ballet mistress, John McFall’s vision and mentorship brought Sharon to her current position as dean of the Centre for Dance Education, which has rapidly grown to one of the largest dance schools in the nation. The Centre for Dance Education is nationally recognized for great accomplishments in its programs and community initiatives. Under Sharon’s direction, the Centre achieved accreditation with National Association of Schools of Dance (NASD). Sharon is a member of the Board of Directors for NASD and is delighted to serve on many community and national boards.


Sharon received the 2015 Women Making a Mark award from Atlanta Magazine. She is committed to providing a noncompetitive atmosphere and access to dance education that is shaped by the community needs, is innovative, and inspires the commitment and excellence that are the trademarks of Atlanta Ballet. She is very proud of the dancers who have studied at the Centre for Dance Education and continue to share their experiences on stage in the Atlanta Ballet company and around the globe. She thanks her family for all their love and support during her career.






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